Richard Brautigan published nine novels during his lifetime.
Another was published post-humously.
A manuscript for one unpublished novel has been identified.
This part of Brautigan Bibliography and Archive provides information and resources for each.

Brautigan is noted for his whimsical novels that, by his own account, evolved from his efforts to write poetry. One day when I was twenty-five years old, I looked down and realized that I could write a sentence. Let's try one of those classic good-bye lines, "I don't think we should see so much of each other any more because I think we're getting a little too serious," which really meant that I wrote my first novel Trout Fishing in America and followed it with three other novels. — Richard Brautigan. "Old Lady." The San Francisco Poets. Ed. David Meltzer. New York: Ballantine Books, 1971. 293-294. The three that followed were A Confederate General from Big Sur, In Watermelon Sugar, and The Abortion: An Historical Romance 1966. Then there were his experiments with literary genres: The Hawkline Monster (a gothic western), Willard and His Bowling Trophies (a perverse mystery), Sombrero Fallout (a Japanese novel), and Dreaming of Babylon (a detective novel 1942). Where Brautigan's first three novels catapulted him to fame and recognition, these departures brought infamy and obscurity. Brautigan's last two novels were the foreboding So the Wind Won't Blow It All Away, and finally, the fateful An Unfortunate Woman (a journey).

Use the links below to access information and resources for each of Brautigan's ten novels.

• A Confederate General from Big Sur
• Trout Fishing in America
• In Watermelon Sugar
• The Abortion
• The Hawkline Monster
• Willard and His Bowling Trophies
• Sombrero Fallout
• Dreaming of Babylon
• So the Wind Won't Blow It All Away
• An Unfortunate Woman

The God of the Martians
Sometime between December 1955 and February 1956, Brautigan sent D. Vincent Smith, editor of the literary magazine Olivant, a manuscript for a novel titled The God of the Martians. Smith never published the manuscript.

On the recommendation of Smith, Brautigan, on 27 August 1956, sent the 600-word, 20 chapter manuscript to Harry Hooton (1908-1961), a Sydney, Australia poet, for possible publication in Hooton's magazine 21st Century: The Magazine of a Creative Civilization, which began publication in September 1955. The second issue was published two years later. The accompanying letter from Brautigan noted his return address as "General Delivery," San Francisco, California.

The manuscript was very similar to other novels written by Brautigan during this time: very short chapters often containing only a few words. Here is a sample:

Chapter 1
My name is Edward Lincoln.
My father chose my name. My mother wanted to name me Jesse, but my father thought Jesse was a name for a homosexual.

Chapter 2
My mother was white.
My father was a negro.
The day they were married my father's mother blew her head off with a shotgun.
My mother's mother only had a nervous breakdown.

Hooton never published the manuscript. Following Hooten's death the manscript remained with Hooten's papers which eventually were bought by another Australian publisher. In 1994, that publisher contacted Brautigan's former literary agent, Helen Brann, asking about publishing the manuscript which he claimed to have in his possession. The same publisher claimed possession of the original typescript manuscript again in February 2000 and said he intended to publish the novel that year. He never did, but did communicate its existence with Ianthe Brautigan, Brautigan's daughter, who referred to the manuscript in interviews regarding her own book, You Can't Catch Death.

A website entitled "Radical Tradition: An Australasian History Page" provides more information about Harry Hooten and other poets from this part of the world.

LEARN more about Harry Hooton at the "Radical Tradition" website.