Biography > 1970s
Brautigan reached the height of his literary success during the decade of the 1970s. His first collection of short stories was published, as was his best known collection of poetry. The novels he published during this decade all experimented with unusual literary genres; none followed in the path of his famous
Trout Fishing in America. More information and resources about Brautigan, his life, and work during this decade are below.
1970
Highlights: Participates in poetry readings . . . Rommel Drives On Deep Into Egypt published . . . Records "Listening to Richard Brautigan" . . . Buys home in Bolinas, California
Brautigan reading from his poetry collection,
Rommel Drives On Deep into Egypt, Fresno State College, California, circa 1970. This book was Brautigan's sixth published poetry collection; his eighth poetry book publication.
4 February 1970
Brautigan participated in a poetry reading and reception in Losekamp Hall at Rocky Mountain College, Billings, Montana.
4-8 May 1970
Brautigan participated in the Sonoma State College Poetry Festival, Rohnert Park, California.
7 May 1970
Brautigan participated in a poetry reading at the First Unitarian Church in San Francisco. Terry Link said Brautigan appeared just before 8:00 pm wearing "blue denim, a blue vest and a long blue scarf, almost like a priest's stole, considering the location." Although the audience was clearly interested, Brautigan refused to read any prose. He read current poetry, some written that morning including
"Your Love," which was never collected.
To the significant lack of response from the audience, Brautigan said, "For a while I thought I was reading in a mortuary. I guess a church is the same thing." He said "I don't think the purpose of a poet is to write good poetry but to work out the possibilities of language and the human condition." In the end, despite his definition of poetry as "language and spiritual mercury," there was little if any interaction between the poet and the audience (
Terry Link 26).
Brautigan participated in a "poetry-diddey-wah" with
Lew Welch.
August 1970

Visited Roxy and Judy Gordon in Austin, Texas.
Dedicated
Rommel Drives On Deep Into Egypt, a collection of poetry, published this year, to them.
While in Texas, Brautigan applied for and was issued a Texas fishing license (14 August 1970).
It notes his height (6'4") and weight (165 pounds).
Fee: $2.15

Featured in a
LIFE magazine story, "Gentle Poet of the Young: A Cult Grows around Richard Brautigan," by
John Stickney.
This photograph by Vernon Merritt III accompanied Stickney's article and shows Brautigan by the side of a swollen California creek.
Another photograph by Vernon Merritt III from the same
LIFE magazine story shows Brautigan and ten-year old daughter
Ianthe strolling the streets of North Beach.
Another photograph, taken by Steve Hansen, from the same
LIFE magazine story shows Brautigan in front of the Trout Fishing in America school with students and faculty. The communal free school in Cambridge, Massachussetts, was named after Brautigan's second published novel,
Trout Fishing in America.

Recorded the record album
"Listening to Richard Brautigan" which featured Brautigan reading several short stories and poems.
Brautigan became involved with Siew Hwa Beh, a filmmaker and writer. Chinese in ethnic origin, Siew Hwa Beh grew up in Malaysia. She eventually married Michael Lichtenstein, who died in 1997. Her sons were named Michael and Niles. Son Niles was named after Niles, California, one of the first places films were made in the state.
14 September 1970
Brautigan applied for, and received, a California fishing license. His stated address was 2546 Geary Street, San Francisco, California.
1971
Highlights: Revenge of the Lawn published . . . The Abortion published . . . Reaches height of literary success
Brautigan standing on Geary Street, San Francisco, 1971. Photograph by
Ianthe Brautigan.
Brautigan in his Bolinas, California, house, 1971. Brautigan bought the
three story, wood shingled house in January. Photograph by
Ianthe Brautigan.
The Revenge of the Lawn: Stories 1962-1970 published.
The Abortion: An Historical Romance 1966 published. In this novel a young man, the narrator, worked in a library, a Brautigan world of lonely pleasure. He met a woman, got her pregnant, and supported her abortion. In the process he learned how to reenter human society.
Brautigan reached the height of his literary success. "[R]ight now Brautigan is riding high. He is the Love Generation's answer to Charlie Schultz. Happiness is a warm hippie" (
Jonathan Yardley 24).
Despite all, Brautigan's success began to falter and continued to do so throughout the rest his life. He experimented with satires of different literary genres and critics lamented the loss of the vibrant, exuberant, youthful writing of his first three novels. He was troubled by alcoholism, insomnia, and paranoia throughout the rest of his life.
12 June, Saturday
Brautigan and Lew Welch attended a party to celebrate the demise of
Whole Earth Catalog hosted by editor Stuart Brand at the Exploratorium and Palace of Fine Arts in San Francisco, California. Dr. Frank Oppenheimer was then director of the Exploratorium. Scott Beach made the arrangements for the party.
Invitations were sent to all folks associated with the making of
Whole Earth Catalog and its supplements, writers and reviewers of catalog content, and all subscribers.
The invitation apparently was first published in the March 1971
Whole Earth Catalog Supplement where the date was stated as Friday, June 11. The party date was changed to Saturday, June 12.
An invitation was sent to Charles Lytle and his girlfriend Debbie, both living on a commune in Beaverton, Oregon. The pair traveled to San Francisco to attend the party.
Back in the early summer of 1971, my girlfriend and I attended Stuart Brand's "Whole Earth Catalog Demise Party" held at the Palace of Fine Arts in San Francisco. Our part was to sit on a table by the door and demand that people produce their invitations before allowing them in (sort of an ID check). We had a fresh-off-the-press copy of The Last Whole Earth Catalog and were supposed to look people up if they claimed they lost their invitation or whatever.
The evening had just gotten started (hosted by Scott Beech, music by The Golden Toad) when all the glitterati of S.F. started showing up, including Richard Brautigan and Lew Welch, who were passing out a "free poem" entitled "Lichen." I tried to get the two of them to autograph the poem, which was printed on legal-sized, greenish paper. Both refused. Instead of stamping the backs of hands (so people could come and go), we had these stacks of self-stick diffraction gratings from Edmund Scientific to put on people's foreheads. Both refused.
Brautigan actually recoiled when my girlfriend tried to stick the plastic diffraction grating on his forehead. He claimed he was worried about the glue containing LSD and the whole thing a stunt to get everybody loaded. Well, everybody ALREADY was loaded, including my girlfriend and me.
The two wandered through the ever-increasing crowd, passing out copies of the poem. Both only hung around for a short while, then left.
After we got back from S.F., I tried to submit an article on the event to Portland's [Oregon] then only alternative paper, called The Bridge (which predated The Scribe by a couple of years). No one was interested, although AP [Associated Press] picked up the story and sent it out on the wire.
The Associated Press story was published in
The Oregonian ("Unknown hippie guests 'win' in host's $20,000 party game." 14 June 1971. ***?***.) and detailed some of the evening's activities.
READ the full text of this story.
The poem by Welch was "Springtime in the Rockies, Lichen."
It was printed as a broadside (8.5" x 14") by Cranium Press, in San Francisco, and was, apparently, given away freely.
The poem was published in
Coyote's Journal #9, in 1971.
The full text of Welch's poem "Springtime in the Rockies, Lichen" reads
All the years I overlooked them in the
racket of the rest, this
symbiotic splash of plant and fungus feeding
on rock, on sun, a little moisture, air—
tiny acid-factories, dissolving
salt from living rocks and
eating them.
Here they are blooming!
Trail rock, talus and scree, all dusted with it:
rust, ivory, brilliant yellow-green, and
cliffs like murals!
Huge panels streaked and patched, quietly
with shooting-stars and lupine at the base.
Closer, with the glass, a city of cups!
Clumps of mushrooms and where do the
plants begin? Why are they doing this?
In this big sky and all around me peaks &
the melting glaciers, why am I made to
kneel and peer at Tiny?
These are the stamps on the final envelope.
How can the poisons reach them?
In such thin air, how can they care for the
loss of a million breaths?
What, possibly, could make their ground more bare?
Let it all die.
The hushed globe will wait and wait for
what is now so small and slow to
open it again.
As now, indeed, it opens it again, this
scentless velvet,
crumbler-of-the-rocks,
this Lichen!
Brautigan bought an Arts and Crafts-style, three-story, wood shingled house located at 6 Terrace Avenue in Bolinas, California. The house was located on a double lot on the west side of Terrace, just south of where Park Avenue joins Terrace from the southeast. Brautigan bought the house for $32,500 from Alfred B. and Dorothy E. Parsons.
Built at the turn-of-the-century, the third floor had two servant bedroooms, a bath, and two other bedrooms separated by a landing. The second story had a large kitchen, pantry, a servant's staircase leading to the third floor, a large living room with a walk-in fireplace, a small bedroom, and an outside deck. The first floor had a master bedroom and a full bath. The house was reported haunted by the ghost of a Chinese servant woman who had killed herself in the house and was buried in the back yard.
Prior to Brautigan's purchase of this house it had been rented by
David Meltzer from the Parsons through June 1972 for $150.00 per month. Meltzer edited
The San Francisco Poets which included an interview with Brautigan and six poems collected in
Rommel Drives On Deep into Egypt.
Allegedly, Brautigan's purchase of the house forced Meltzer, his wife Tina, and their children to leave their home. As a result, many members of the Bolinas community were upset by Brautigan's actions (
Lawrence Wright 38).
Michael McClure suggested that Brautigan's purchase of this home was the cause for the end of his friendship with Brautigan.
It was Richard buying the house that David and Tina lived in right out from under them and their two children that was the straw that broke my camel's back. I thought he should have bought it and let them live in it for nothing. Or even given it to them. . . . I felt that he was [after] David because David was like Richard's anti-type. David poured creativity, and in vast spontaneous amounts. I think Richard just had to get at David. So he bought the house and left it standing empty. Later, Richard shot and killed himself in that house. (Michael McClure 40)
In fact, Brautigan allowed the Meltzer's to stay in the house through the end of their lease, six months after he bought the house.
Bolinas, across the bay and northwest from San Francisco, enjoyed a reputation as a community of eccentric and creative individuals and was the home, over the years, to such writers, editors, and poets as Donald Allen, Bill Berkson, Ted Berrigan, Jim Carroll, Tom Clark, Robert Creeley, Lawrence Ferlinghetti, Bobbie Louise Hawkins, Joanne Kyger, Thomas McGuane, David Meltzer, Daniel Moore, Alice Notley, Nancy Peters, Aram Saroyan, and Philip Whalen.
Brautigan had lived periodically in Bolinas since at least May 1964 when he started writing
In Watermelon Sugar.
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March
Brautigan, his novel
The Abortion: An Historical Romance 1966, and his collection of short stories
Revenge of the Lawn: Stories 1962-1970 were noted in the booklet
Washington State Authors 1971 (Washington State Library, Olympia, Washington, March 1972: 1).
23 April 1972
Brautigan awarded the Washington Governor's Writing Award for his collection of short stories,
Revenge of the Lawn: Stories 1962-1970.
The ceremony was held in the Washington State Library, in Olympia, Washington. The award was presented by Governor Daniel J. Evans. Authors present, or their representatives, were invited to speak briefly.
The Washington Governor's Writing Award was given to ten Washington writers each year. Books were submitted and reviewed by a panel of jurors. The printed program noted the Jurors for 1972 as John S. Robinson (Chairman, Olympia), Mae Benne (Seattle), Dale Nelson (Olympia), Dr. Clarence J. Simpson (Spokane), and June T. Thurston (Yakima).
The program also noted that the award was presented jointly by The Governor's Festival of Arts, the Washinton State Arts Commission, and the Washington State Library Commission. It was the seventh annual Governor's Writer's Day Open house "honoring Washington authors and photographers for their important contributions to our cultural life."
Other winners for 1972 included Beth Benley (
Phone Calls From the Dead), Alain Enthoven (
How Much is Enough? Shaping the Defense Program), John Fahey (
The Ballyhoo Bonanza), Bill Gulick (
Snake River Country), Dee Molenaar
The Challenge of Mount Rainer), J.K. Osborne (
I Refuse), Tom Robbins (
Another Roadside Attraction), Victor B. Scheffer (
The Seeing Eye), and Ralph Wahl (
Come Wade the River).
Brautigan in the kitchen of his 2546 Geary Street apartment, San Francisco, 1972. Photograph by Ianthe Brautigan.
1973
Highlights: Writes The Hawkline Monster
October 1973
Brautigan visited Pine Creek, Montana, in Paradise Valley, just south of Livingston, on the invitation of writer Thomas McGuane (
92 in the Shade). Brautigan wrote the novel
The Hawkline Monster in a rented tourist cabin at the Pine Creek Lodge and Store.
While in Pine Creek, Brautigan met "The Montana Gang," a group of writers, actors, and artists living in the immediate area. Brautigan was impressed with the machismo and the ability of some members of "The Montana Gang" to achieve financial security by turning their novels into movies.
This photograph by
Erik Weber shows Brautigan sitting, drinking, and talking with some of The Montana Gang around a table at Tom McGuane's ranch during his first trip to Montana, 1973. To Brautigan's right is Jim Harrison and an unknown person. Clockwise from his left are Tom McGuane, Bill Roecker, Becky McGuane, and Dink Bruce. This photograph appeared on the back cover of
Keith Abbott's Downstream From Trout Fishing in America.
Livingston, Montana, members of "The Montana Gang," and others were profiled in several newspaper articles, some of which mentioned Brautigan.
Robert Cross's article, "A Refuge in Montana: The Gossip-Column Set Slips Quietly into the Woods" (
Chicago Tribune 20 September 1992. Travel Section, 1), focuses on Livingston, Montana, as the town near where author
William R. Hjortsberg lives and writes.
READ the full text of this article.
Phil Patton's article, "The Dude Is Back in Town" (
The New York Times 18 April 1993, Sec. 9:10), focuses on the reemergence of popularity of Western style in furniture, furnishings, clothing, and collectables. Patton offers a time line "When Easterner Met West," detailing the history of the popularity of the Western style. He mentions Brautigan as part of Livingston, Montana, "Big Sky Bloomsbury."
READ the full text of this article.
Toby Thompson's article, "Out There: Livingston, MONT: A Rumble Runs Through It" (
The New York Times 11 April 1993, Sec. 9: 3), focuses on The Murray Hotel in Livingston, Montana, which has long been a watering hole for the rich and famous and otherwise noteworthy.
READ the full text of this article.
Autumn 1973

Wendy Werris describes a brief affair with Brautigan in Autumn 1973 in her memoir of her life in the book business,
An Alphabetical Life: Living It Up in the World of Books (New York: Carroll and Graff, 2006. 51-54.).
Working for Rolling Stone/Straight Arrow Books in San Francisco, Werris met Brautigan at Enrico's in North Beach. Brautigan was disheveled and intoxicated. Despite this, she writes, "I was enchanted." (51)
READ the full text of the reference pertaining to Brautigan.
Feedback from Wendy Werris
I was 24 years old at the time, and had always been a big fan of Brautigan's work. I'd read all his books to that point, and was just overwhelmed when I met him. He had an umistakably powerful presence, regardless of his drunken state.
1974
Highlights: The Hawkline Monster published . . . Buys ranch in Pine Creek, Montana
The Hawkline Monster: A Gothic Western published. The novel was well received by a wider audience than his earlier work. Again, he played with the idea that imagination has both good and bad ramifications, turning it into a monster with the power to turn objects and thoughts into whatever amused it. Hal Ashby, director of the movies
Being There and
Harold and Maude, purchased the screenplay rights. Brautigan wrote a screenplay for a movie adaptation but abandoned the project when asked to rewrite the first draft.
Based on his earlier experience in Montana, Brautigan bought a 42-acre ranch and established a residence in Pine Creek, Montana, a quarter of a mile from the Pine Creek Lodge and Store.
The ranch included a two-story ranch house, an outbuilding that Brautigan remodeled into a sleeping cabin, a large barn, and some acreage which Brautigan intended to rent out as pasture. The remodeling of the sleeping cabin included a redwood floor, redwood trim around the room, and a triangular, free-standing closet in one corner. A painting by Montana artist Russell Chatham of the view once seen out a window filled in during the remodeling hung on one wall. A wood cook stove stood in the middle of the room, its chimney bottom boxed in with wood painted a rich shade of raspberry. It served as an effective dividing point between the sitting and sleeping portions of the room.
In the very top of the barn, Brautigan built a writing room with a large window looking East, toward the Absaroka Mountains. The room was small with some book shelves and a redwood desk for his typewriter. It was reached by a long climb up a series of stairs inside the barn. The ranch was sold after his death to cover his debts.
This photograph by Michael Abramson, shows Brautigan and daughter
Ianthe sitting in front of the barn in 1980. The window of the writing room is visible at the top of the barn. This photograph appeared on the front cover of Ianthe's book
You Can't Catch Death, a memoir of the life and death of her father. A similiar photograph, taken at the same time, appeared in
James Seymore's eulogy to Brautigan.
Brautigan standing beside the mailbox of his Pine Creek, Montana, home. Photograph by John Fryer. This photograph was used on the back cover of Brautigan's novel
The Hawkline Monster.
Online Resources
Photographs of Brautigan's former Montana home
Brautigan was not alone in the wilds of Montana. His immediate neighbors were
William J. Hjortsberg (
Falling Angel) and his then wife Marian on one side and Robert L. Gorsuch on the other. Gorsuch, a licensed plumber, often repaired things around the ranch and acted as watchman when Brautigan was gone. Living nearby were writers Jim Harrison (
Farmer) and his wife Marge. Actors Peter Fonda and his wife Becky, Jeff Bridges, and Warren Oates, film director Sam Peckinpah, cinematographer Michael Butler, and painter Russell Chatham also lived nearby. Other visiting writers (like Guy de la Valdene), artists, and musicians often visited.
Brautigan allegedly refuses to deliver lectures or grant interviews for the next eight years.
Brautigan and Jan Erik Vold in front of Brautigan's
2546 Geary Street apartment, 1974. Vold, a Norwegian poet, studied language and literature at the University of California Santa Barbara in the 1960s. Vold's work represents an important contribution to the renewal of interest in Norwegian literary works and culture.
1975
Highlights: Willard and His Bowling Trophies published . . . Gives up Geary Street apartment in San Francisco, California
Willard and His Bowling Trophies: A Perverse Mystery, an experiment with the sado-masochist genre, published. The novel, as all others by Brautigan, dealt with the isolation of people from each other.
To escape the noise of constructing the Geary Tunnel in front of his apartment, Brautigan moved to a newly remodeled apartment on Union Street.
Feedback from Nancy Langer Vicknair
I was an assistant to the head of the Whitney Museum in New York City in the mid 1970s and during an important opening—I think it was the Lee Krassner show—I got very drunk and was weaving around the room with all the arty folks and saw Brautigan. For some unknown reason I thought it very important at the time to introduce him to one of the Rockefellers—David or Nelson (who can remember??).
I did just that—and left the two shaking hands and talking to each other and then brought another admirer of Richard's into the trio and then went back to the open bar for a refill.
I was wearing a vintage mink and with my red hair and 6 feet tall in purple boots, I must have been a sight. I wish I had not darted away and had just talked to Brautigan without bringing in the others—but life is strange and redheads can throw themselves curves. He looked kinda lost, lonely, but also bemused during the opening. I was trying to help him have fun!
1976
Highlights: First visit to Japan . . . Loading Mercury With a Pitchfork published . . . Sombrero Fallout published
Brautigan visited Japan for seven months. Here he found the literary fame lacking in America. His experiences provided material for the collection of poems,
June 30th, June 30th and the collection of stories
The Tokyo-Montana Express. This was also the beginning of his habit of living in Japan part of each year. While in Japan, Brautigan lived in Tokyo's Keio Plaza Hotel.
Jim DeBerry tells of meeting Brautigan in Tokyo's Keio Plaza Hotel.
I first met Richard [Brautigan] in Tokyo. I had just taken a job for an American computer company that had a branch office in Japan and was staying at the Keio Plaza Hotel in Shinjuku which was right across the street from the building where my company was located. After work there was a place called the Little Bar near the lobby of the hotel and just outside the main bar. I had made a lot of Japanese friends there who came after work for a few drinks. The Little Bar was open from 5 to 9 I believe.
One day a rather tall stranger stopped by and ordered a beer. He was dressed just about like you see him in the pictures blue jeans and western shirt but no big hat. He stood next to me and we started talking. I introduced myself and he introduced himself and asked what I was doing in Tokyo. The name Richard Brautigan meant absolutely nothing to me as I had never heard of him. I asked him what he was doing there and he said "I am just a fifty year old hippy who has never outgrown it. He said he was a writer and named a couple of books that I had never heard of probably Trout Fishing [in America] and [In] Watermelon [Sugar].
We often stopped by that Little Bar and just talked about nothing in particular. If anyone is ever in Tokyo and goes to the Keio Plaza he always stood in the same place about four feet over from the left side facing the bar. Maybe he left some " Karma" there or something. We often did the Sunday New York Times crosswords there on Friday nights as that is when they were published in Tokyo. As a rule he finished first but not always. After the Little Bar closed I usually went to my room and he went over to Shibuya where a lady friend of his ran a bar.
I felt that he was a fine person who cared for people. He once told me that I was the only American in Japan that he had anything to do with. He went into a small spiel about the Americans that were there that had nothing to do with the Japanese. He called them the Ropongi Crowd, I think. And he had little use for them. He felt that when one was in a foreign country that one should partake of that culture.
For those of you who don't know Tokyo, Ropongi is the location of the American Embassy and most of the Americans hung out in mostly American clubs having almost nothing to do with the locals. These were the Americans that he had little use for. I suppose because I had a lot of Japanese friends, he saw me differently.
He told me he usually came to Japan in the spring and went back to the states in the fall. I told him that it seemed backwards to me because Japan had such a mild winter and Montana was so cold. He said, "Well, I come to Japan to get ideas for my writing and since I am lazy I go back to Montana to write because I am snowed in up there and am forced to write because there is nothing else to do."
This is getting longer than I expected. To make a long story short I came back to America in the spring of 1984 and ran across some of his books at a book store and bought them and enjoyed them very much. I think maybe if I had known of his books earlier then perhaps I might have been awed or something and our relationship would have been different. As it was we were just two Americans in Tokyo having a good time together.
And before anyone asks I might add that I saw no signs of despondency or anything that would suggest his suicide in 1984. I guess the last time I saw him was in the late summer of 1983.
During this trip Brautigan met
Akiko Nishizawa Yoshimura. She approached Brautigan saying she admired his writing and wanted to meet him. She was married at the time and went by the surname Yoshimura. She was with Brautigan, in spirit and fact, while he wrote many of the poems and stories that appeared in
June 30th, June 30th, published in 1978, and
The Tokyo-Montana Express, published in 1979.
Brautigan and Akiko married in 1977.
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Loading Mercury With a Pitchfork, a collection of poetry, published. This collection was unique in that it its poems were grouped in titled sections and featured the crow as a dominant figure throughout.
Sombrero Fallout: A Japanese Novel published. This novel featured two interrelated stories. The first was about a sombrero falling from the sky and its affect on humanity. In the second story, the narrator of the first thinks about his Japanese ex-lover who had recently moved out of his apartment.
1977
Highlights: Married Akiko, second wife . . . Dreaming of Babylon published
1 December 1977
Brautigan married a Japanese woman,
Akiko Nishizawa Yoshimura, in Richmond, California. They met in 1976, during Brautigan's first trip to Japan. They separated in 1979 and divorced in 1980.
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Dreaming of Babylon: A Private Eye Novel 1942, a parody of hard-boiled Grade-B detective stories, published.
1978
Highlights: Books involved in censorship litigation . . . June 30th, June 30th published
8 January 1978
J. D. Leitaker, the principal of Anderson High School in Anderson, California, removed seven Brautigan books from the school's library and from the developmental reading classroom of a teacher who had taught at the Northern California school for eight years. The school board voted later to ban
The Abortion,
Trout Fishing in America,
The Pill versus The Springhill Mine Disaster,
Rommel Drives On Deep into Egypt, and
A Confederate General from Big Sur. Not banned were
The Revenge of the Lawn and
In Watermelon Sugar. The San Francisco American Civil Liberties Union filed suit in October and the case was decided in Brautigan's favor in December.
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June 30th, June 30th published. It resulted from Brautigan's trip to Japan in 1976 and is a poetic travel diary of his relationship with Japan. Brautigan was well received in Japan. In America he was out of favor. This collection of travel poems, poems about place, following the Japanese tradition of
haibun, a collection of haiku gathered into a story line, was largely ignored.
December 1978
Brautigan and wife Akiko sent a Christmas card to John and Margot Doss, long-time personal friends with Brautigan.
The Dosses owned a home in Bolinas, California, which Brautigan visited prior to his own purchase of a home there. John Doss was a San Francisco medical doctor. Margot Patterson Doss was a writer and columnist for the
San Francisco Chronicle. She organized a surprise birthday party for Brautigan in 1970.
Akiko's hand-written inscription reads
Dear Margot & John,
Merry Christmas
&
a Happy New Year!!
For us?
please wish
NO SICKNESS
in next year!
Aki x Richard Brautigan
Brautigan signed his own name, "Richard" on the card.
Margot Doss placed the Christmas card in her copy of Brautigan's
Sombrero Fallout, along with a typed letter from
Don Allen to Brautigan mentioning Thomas McGuane's sickness and asking when Brautigan was returning to Bolinas, California, and a newspaper obituary of Brautigan's death in 1984.
Brautigan lived in an apartment on Montgomery Street.
I took my last photograph of Brautigan there, on the back deck, in September, 1978.
1979
Highlights : Participates in MLA panel
Lived in an apartment on Green Street in San Francisco.
4 December 1979
Brautigan and Akiko Nishizawa Yoshimura, his second wife, separated. They were married on 1 December 1977 in Richmond, California. They entered divorce proceedings on 30 October 1980. Their divorce was finalized some months later.
29 December 1979
At 94th annual meeting of Modern Language Association of America (MLA) in San Francisco, in December, Brautigan participated in a panel discussion concerning the importance of Zen Buddhism to American Literature. This special event, titled "Zen and Contemporary Poetry," held at 9:00 pm, in Plaza Square of the Hyatt Hotel, included Robert Bly,
Gary Snyder, Lucien Stark, Philip Whalen, and Brautigan as speakers. A listing of this program is included in the
Directory of PMLA 94(6) Nov. 1979: 1133. The session was chaired by Dennis Lynch, then a graduate student at Northern Illinois University. This was one of Brautigan's several
teaching or conference experiences.